How much does producing an advertising film cost?
The bill starts from €1,100 net for a filming day with editing, and we give the full figure after a brief. We quote against the number of filming days and edited versions, because those decide the cost, not the film's topic. Worth knowing before the call: a second filming day costs the same as the first, and a second edited version costs a fraction of that.
How long does producing video material take?
Usually four to eight weeks: one to two weeks for the script, the same for pre-production, one or two days of filming, and two to three weeks for editing and versions. Filming is the shortest stage.
What does a video agency do?
The whole film job from idea to finished files: script, pre-production, the shoot, editing, sound, and format versions for wherever the film needs to run. The difference from hiring just a camera operator is that the material is made for a specific campaign, not as raw footage to figure out a use for later.
Do you make material for social media?
Yes, and we treat it as the baseline, not an add-on. The standard is a main cut plus variants in three frame ratios, with subtitles, because a large share of viewers watch with the sound off. We plan for that before filming, because the frame has to be built so that cropping to vertical does not cut anything off.
Where does the filming happen?
At your premises, on location, or in a studio, depending on the topic. For brand films your own workplace usually looks best, because it is more credible than a studio, and for product material a studio works better, because repeatable lighting shortens the edit. We visit beforehand to check the space for light and noise, because those two things most often decide whether the filming day goes well.
Do we need actors?
Not always. Material showing work, the product and the location performs just as well in ads, and is often easier to cut into many versions. Actors add cost and a licence limited in time and in where it can run, so for material meant to last for years it is sometimes better to avoid them.
Do we get the source files, and who owns the music?
The finished material and source files are yours once the project is settled. Music licences, and any actors' involvement, are set out in the contract, together with the period and channels in which they apply. This matters, because a film that is formally unusable after two years is a more common problem than a film that is simply dated.
Do you edit material we already have?
Yes, provided the source files and licences exist. A full set of short campaign versions can often be cut from existing source footage, at a fraction of the cost of a new production. So we start by reviewing what you already have, before proposing a new shoot.